To say "I love the way Plat/Pall makes my images look " would be an understatement. I'm not sure I like the process of getting them there as much as printing silver. Kind of dis-jointed, not the continual in the moment I enjoy while printing siver but WOW! the results are really its own feel and individual every time. Next I think I'll try ALBUMEN. (What do you think? Jorge?.
I dont think Thomas is planning to print in albumen. He is most likely to try an use a suggestion given at APIS to size the paper with albumen or collodion prior to coating to keep the "wet" look pt/pd prints have and minimize dry down. A wet pt/pd print is a thing of beauty, but dry down takes it's toll and unfortunatelly it is a weird effect. The highlights get darker but the dark tones get lighter. I once measured the Dmax of a wet print and it was 1.85, I then measured the same tone dry and it was 1.3, this is 1 and 2/3 stops loss!
I think this technique bears experimentation, if one is able to get Dmax tones of 1.85 and above without having to do double or triple exposures, I think this will be the future preferred method for many pt/pd printers.
All the great comments, Thanks!! The Albumen will be to reain wet values as Jorge says it's kind of frustraiting to see these images in the wash then dry wishing they would retain the lustre. Mike- we are on a financial diet as we've decided to move so no big cameras for at least a year. Maybe longer. Course after the move I'll have a very large darkroom. Ya BABY!!! 420 sq.ft. hopefully fully functional by next may.
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