Some of this series were shot at 400 asa and developed as if 400 asa. All were shot on Ultrafine Extreme 100 asa. Those that were pushed were with Xtol 1:1. The others were developed in Xtol Stock
I like the idea and overall view on this one. I like how it leads our eyes down the railing of the pier towards the landmass.
Just an afterthought of slightly raising the camera so that the black tube started in the immediate LRHC of the image and allowing just slightly more clearance on the top to include tiny bit more sky. Regardless, a neat look IMO.