I used my 1966 Carl Zeiss WERRAMATIC camera made in GDR for this photo -- I missed the deadline for 'Commie Camera Week' with this. I was out in Brentwood High Street and saw these three 'Characters' and had a laugh with them -- they said they were going to audition for 'Last of the Summer Wine' ( a famous British TV comedy programe where most of the characters have died) I used outdated Ilford FP4+ and processed in home-made ID11 formula 1+1.
Thanks for all viewers -- well as the Werramatic does not have a 'Focal Plane' shutter it cannot be uneven shutter travel but I did notice that their hats were causing some face shadowing, but I didn't have my small FLASH for fill-in as I usually have. There is a large TREE on the LEFT near where they are sitting maybe that is the reason.
Not to belabor the point but it's not about what was there, but about what we do when we make a print. And thank god you didn't use fill flash. My point was when we make the prints we fix/clean up/enhance the world in our creation, and don't merely say a tree was causing uneven light. We merely correct it.
Not to belabor the point but it's not about what was there, but about what we do when we make a print. And thank god you didn't use fill flash. My point was when we make the prints we fix/clean up/enhance the world in our creation, and don't merely say a tree was causing uneven light. We merely correct it.
And thank god you didn't use fill flash. My point was when we make the prints we fix/clean up/enhance the world in our creation, and don't merely say a tree was causing uneven light. We merely correct it.
Using discreet fill flash (which is the only way it should be applied) is, in fact, "fixing/cleaning up/enhancing the world in our creation". In a practical sense what one is effectively doing is an in-camera contrast mask. One is differentially lightening the shadows at a level of granularity not possible by hand on the easel, while at the same time leaving the highlights relatively untouched. The difference is that it's happening way before one ever reaches the darkroom. And it's a lot more risky because one only gets a single chance to get it right.
I met the Gent wearing the Cap on the LEFT of pic TODAY on that same seat talking to another mate and I told him I had put the photo 'online' and got some comments and he was pleased - -- I offered to do him a free print but he declined. About 'fill-in flash' -- I have been using it for years and can control it so you never notice it.
Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links. To read our full affiliate disclosure statement please click Here.
PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY:
This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register.
By continuing to use this site, you are consenting to our use of cookies.