I don't think being displayed on a monitor does this any justice. If it were presented in a card mount cut with three equal sized apertures I think it would be very effective.
I have seen sets of three presented this way and they work very well. In my opinion, they lose nothing over a one piece panoramic image.
I think it works, and works well - but after seeing many of Valerie's like this I find them an interesting way to present pano work, without a pano camea. Hope you consider printing these at least 10x10.
I'm not one for much of this kind of work but you hit it right on and i think it is very nice. the subject mater I think keeps it all together because there is something different in every image to separate each piece but the clouds and mountains bring it together.
Works well for me; the tonality, the gate in the right-hand image corresponding to the road sign in the left-hand image; the mountains, sky and clouds. It reminds me of rain and wind and the coming winter.
I think it works quite well! If I may say so, I think it would be worth playing around with roughing up the edges a little bit, and perhaps include some of the film rebate in the prints. Perhaps cut a neg carrier from mat board so the edges are a little rough... Just a thought, and a wild one to boot.
I like your results quite a bit!
I think this is fantastic. I've cycled this road so many times this invokes a lot of good memories for me. I agree it needs to be well mounted in 3 deparate 'windows' on the same board - I'd love to see it BIG too!