unlike the other image ,she must have been moving while you were painting , where in the other she must have held the pose......... this has a very graphite or pencil or etching feel to it
Having only bits and pieces here is very beautiful
Fascinating -- you're working right in one of the most interesting dimensions photography has, the graphical quality of movement. But at least in the examples you've posted here so far, I don't think you have found it yet. Depends of course what "it" is. For me, "it" is the quality of the line of movement, expressed with the quality of drawing. Here there has been too much complication of movement between her starting standing pose and finished crouching pose. And while I understand that the solarization might be needed on the one hand to strengthen the silhouette line of her shape, on the other hand it is giving very hard black-smudge, blocky marks in the movement-transition that are very unlikely to "draw themselves" well unless you get very lucky. If the movement of the model were simplified and drawn out in slow-motion over time, you might get better-quality marks with the solarization that would also be more visually legible as movement.
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