Monday Snow

I took this on Monday morning, before the skiers arrived and cut tracks through the pristine snow.

I've been using minimal agitation techniques quite a bit lately, and find the results striking. Usually once I've scanned something, at least some degree of sharpening is required to produce a fair representation of how the print will look - but not in this case. The micro contrast is something else alltogether. It was a massively overcast morning, and snowing heavily at this point.

It will be interesting to see how it prints.

Thanks for looking,
Ciaran
Location
Alexandra Palace
Equipment Used
Medium Format
Exposure
f.16 - 30th?
Film & Developer
Ilford FP4 - Rodinal (1+50)
Paper & Developer
Scan
Sure thing Dan,

Rodinal 1+50 for 60 minutes. I have used 1+100 for similar results, but with perhaps a little less density. I agitated for 10 seconds at the start of development, 10 seconds after 20 minutes, and 10 seconds after 40 minutes.
The temperature was kept around 21 degreesC.

I've done the same procedure with a single agitation after 30 minutes, but on my last attempt ended up with bromide drag - hence the additional tank twisting. The negs look quite similar, and fact I still had processing problems.... seems the reels were a little scummy.

Quite often I use the process when I am unsure of my metering technique or where images have been made under different lighting conditions. Increase the time to 90 minutes, increase the dilution, play with the temperature.... the results just seem 'right' regardless.

Cheers,
Ciaran
 
very beautiful shot, the contrast between the bark and the tree really makes this image come alive. i am sure your developing method had alot to do with that. thanks for sharing your developing procedure i will have to give it a try myself................frank
 
Ciaran your picture carries terrific impact with it. I'm wondering what is the deciding factor in opting for long development times?

Cheers
Vincent
 
Thanks for the comments everyone.

Vincent: there is no single decider, but rather a combination of micro contrast and what seems like an extended tonal range as a result. I'm not really someone who goes in for technical discussions, scientific measurements or unrequired complications - but having tested the process out of curiosity, I have found the little extra effort involved produces results I am most happy with.

There is no 'silver bullet', but the procedure works for me.

If you are after a technical explanation of how it works, I am not the one to ask - but a quick search on 'stand development' or 'semi-stand' will show enough explanations.

Cheers,
Ciaran
 

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