... shot in a still breeze at in-laws home in Alabama. The kind of old-fashioned look was a consequence of a fumble-fingered develop process, included the maddening re-spooling of film in a changing bag; hence, the white dust dots.
Hi, like the nature of this shot, I'm new to this site having become fed up seeing perfect images on other sites and I noticed the white spots and I'm thrilled that little problems like fumbling in the changing bag is not slated, nice image and I think I'm gonna enjoy this site.
Hi, like the nature of this shot, I'm new to this site having become fed up seeing perfect images on other sites and I noticed the white spots and I'm thrilled that little problems like fumbling in the changing bag is not slated, nice image and I think I'm gonna enjoy this site.
Thank you Paul and Vincent. I posted the original photo with an older computer that does not have brush software. So, since I am now at my good computer, I brewed up a brushed version. It still looks, uh, non-digital, dontcha think?
It took me a couple of months to start liking this shot enough to post it. I used to be a deep-focus guy. Then came the Meyer-Optik Oreston 50/1.8 and its curious bokeh: painterly streaks on the tree; little circles and dots of light to the left ...
Thanls, Vincent. The digital brush is much easier - and quicker - to use than an actual brush and tints.
Hand tremors with degraded micro-motor skiills would make actual brush work dicey at best ...