K.T, Land's End, San Francisco

Interesting that in this nude you "included" him in the landscape instead of featuring him like in the previous one in the tree. You could have dodged him to make him lighter or distinct from the concrete but you just let him blend in. This series seem also as an exercise in blending tattoos with graffitti, as though both human and landscape have been marked.

I wanted to create the contrast in this scene not so much through tone as through texture. The figure and its softness contrast with the rocks and the broken concrete, but harmonize through the inscriptions on the bodies.

TheFlyingCamera said:

I wanted to create the contrast in this scene not so much through tone as through texture. The figure and its softness contrast with the rocks and the broken concrete, but harmonize through the inscriptions on the bodies.

Click to expand...

Yeah, I like them all, and the fact that you used different thinking in each one. I may not have stated that clearly.

Never noticed this one before, but it's stunning. This is an excellent photo in all regards, from composition to pose to lighting to DOF. It helps to have a photogenic model too.