I practice what I call "Real" portraiture. Pretentious term, I know; at least it's only one syllable. I'm interested in content, and all other aspects of the picture I'd like to call a portrait are secondary. So focus, motion blur, composition, all stuff like that, have to take a back seat. I love it when the right place is in focus and everbody has been still and the light is just right, PLUS there is strong human expressiveness. But the latter suffices, because it is so rare, and the others must remain bonuses. --le