Garrett, Under the Whitehurst

I like this one of him the best, perhaps the body language in this one is better than the others, it has good possibilities. If I may suggest, I think a slightly cropped version, cropping on the left, back to the brickwork to remove the extreme left window. Then cropping the top to remove the plate above his elbow, which at the same time removes the light (I think it's a light). I don't know if it will improve it, but I think the impact of the person with that cropping, will be more powerful. I think no eye contact works very well here. Nice. Mick.

This is already somewhat cropped (the original is square), but I'll play around and see about how that works - I get where you're coming from on it and it makes sense. It's tough working under those conditions shooting the original (needing enough depth of field to cover focusing error, while holding the camera over your head and looking up into the waist-level finder). So I feel lucky that I got it as good as I did to begin with!