I finally got a print made of this image, its on some Oriental FB new in '95. Worked like new. You can pull up the film scan version and see subtle differences in the tonality. I like this one much better.
You're 100% right. This has the fog without the fog. The other one looked OK until you see this one. Now if we could show the digis how a wet darkroom print "shines" even when scanned we might be half way to changing their view that film and wet prints are to scene capture and portrayal what semaphore is to communications.