Another neg from my last shoot with a master Tibetan carver who is working here in town for a few months on a very ambitious project.
I think I am preferring this neg, even though it offers no face but offers a better overview of the work (I think I have enough other face shots to complete the series).
BTW this was done holding the camera overhead, braced against the (low) ceiling, about 1/30 sec as I recall. Not quite as critically sharp as one might desire, but I was obsessing over his hand motions.
The tint of the neg is form the scan, it was dev'd in wd2d+. I envision the print also being sepia toned or perhaps Pt, can't decide. Comments/suggestions welcome.