It's a lith print, Roy. Lith gives lots of possibilities from grainy, gritty, dark and moody to tenous, creamy high-key like this. You can even get both in the same print. It's all about the snatch point (and the exposure, and the paper, and the dilution of the developer, the temp, how old it is, and of course, the negative you start with.) Lith takes darkroom work to whole new levels of ecstasy and frustration. Addictive.....
Search APUG for posts on lith - especially Tim Rudman - the guru and master of lith.
What I really meant "sly" was whether to obtain this effect you had a negative exposed for the result you got or whether you used a different dilution to produce this. I have never experimented with high key lith but must do so as I do like to photograph and print light coloured objects, mainly floral. I have obtained some satisfying lith results but have never gone into it in a big way.
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