Azo and Glycin
David A. Goldfarb

Azo and Glycin

For those who have been wondering about what a chloride contact paper looks like in something other than amidol, here are a couple of prints on Azo G3, the top in Ansco 130 (1+1) 3 min. and the bottom in Dassonville D-3 (1+15) 6 min. Dassonville D-3 is an autotoning developer the same as Ansco 115 and Edwal 106. The higher the dilution, the warmer the result for papers that it works with. Azo G3 in D-3 (1+7) gives a nice warm black result, just slightly warmer than Ansco 130. I haven't tested it, but 130 might do the same at a higher dilution.

The prints aren't perfectly flat, so there's a little glare, particularly on the bottom one.

The results I'm getting with Azo in Ansco 130 are very close to amidol, as others have suggested, but amidol gives better waterbath control. When I get a chance, I'll see if I can make some comparison prints with amidol and 130 and post them. A solution for those who are concerned about the cost of amidol might be to try Ansco 130 first, and then mix up a batch of amidol when a waterbath is needed to reduce contrast.
Location
Queens, NY
Equipment Used
5x7" Press Graflex, B&L 5x8 Tessar
Exposure
f:8, 1/1100 sec.
Film & Developer
Arista.EDU (Fortepan) 400, Acufine
Paper & Developer
Azo G3, Ansco 130 (top), Dassonville D-3 (bottom)
Thanks for posting this comparison. On my monitor the ansco 130 seems to control the upper values better ....

Miles
 
The D-3 print is a tiny bit lighter than the 130 print, so a little more exposure could probably get a little more highlight detail, but the highlights are also suffer more than the shadows in the digitization process, so they look better on the print. Also, if you're using an LCD screen, you might scroll the images up and down, so that you're looking at them alternately in the same part of the screen, since it's a subtle difference, and the gamma of different parts of the screen can vary with viewing angle.

The main difference is that the D3 print is warmer.
 
The max shadow and highlight values seem the same for both but I am seeing a smoother transition with the D3. Especially in the skin tones. Again, it is hard to judge on a computer screen without the prints on hand.

Thanks for posting these David, I saw my first Azo prints a few years ago done by Peter Schrager and they were very impressive.
 

Media information

Category
Technical Gallery
Added by
David A. Goldfarb
Date added
View count
1,130
Comment count
4
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Image metadata

Device
NIKON E990
Aperture
ƒ/8
Focal length
15.6 mm
Exposure time
1/60 second(s)
ISO
100
Filename
azog3_130_top_d3_bottom_.jpg
File size
191.1 KB
Date taken
Sun, 14 September 2008 6:49 AM
Dimensions
462px x 650px

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