Suzie On The Fainting Couch Pd
artonpaper

Suzie On The Fainting Couch Pd

The photo is from many years ago, the print from earlier this week. I've printed this before but was never completely satisfied. Thought I'd try again. Better, but I'm still wondering what else I can do.
Location
Philly
Equipment Used
Bronica ETR, Epson v850 Pro scanner. Epson Photo R3000 printer.
Exposure
Not recorded
Film & Developer
T-Max 400, developer not recorded
Paper & Developer
Hahnemühle Platinum Rag, potassium oxalate developer.
Hybrid Materials & Processing
Digital negative generated on Pictorico Premium OHP transparency film.BTW, I use Mark Nelson's Precision Digital Negative System.
Digital Post Processing Details
Lots of photoshop adjustments.
I grant PHOTRIO permission to share this gallery image and previous images on their social media pages.
  1. Yes
(optional) Preferred name for image credit on social media.
Doug Schwab
Is this print for sale?
  1. Yes
You have so many possible choices for a final result, you may be stuck on it forever! I used to make rough prints and stick them up on a pinboard in the kitchen for a week or 2 until I formed an opinion of which version was best, and often it was an inbetween of 2 that I'd done. I guess the other thing will be the final destination of the print, as to whether it will be displayed behind glass or similar?
 
Love the fabrics and tapestries, they all flow together.
My father was an Upholsterer, occasionally would recover a Chase Lounge, look nice, but weren't very comfortable or practical.
I think the light is too central, and flowing the wrong way, would work better from left to right, so the young lady is looking towards it.....just a touch. Maybe you could dodge and burn a little.
 
Thank you Alan.
I hear you Peter. Palladium often yields results that take some getting used to. Plus, working with digital negatives brings the opportunity, not just to change the chemical mixture, but also to change the entire range of values and contrast in the negative.
Awty, this is another photo where I shot the scene as it presented itself. The couch was in place there. I thought the brick wall made a good background and she is facing windows which were high on the left. There were other windows if I remember correctly, possibly on the right, acting as fill.
 
You need a time machine. If you could lighten the shadow of the lounge on the back wall, maybe dodge the wall behind her head a smidge and try and get a tiny bit more light on the back left side of the lounge.....maybe. Its a great picture, you do very good work and I'm but a learner, working the light always intrested me. Spend most of my time trying to work it out.
 
No spinal problems. I guess a trick of the light. I have no problems with your comments. They are different than most comments and that makes them interesting. Everyone's perception is different, yours is unique in my experience. Are you an art director by any chance?
 
I don't think this should be a study in upholstery. A great square format lurks in that 2X3. I'd crop. Her expression, pearls, and tats seem more important that the taffeta, which wants to demand priority.
 
@awty @jtk - I'm wondering what you both think of the way I handled the the couch and the wall in another photo of susie, this time posing with Sarah.If you loo back about a month ago in my gallery media you will find it there. I don't think I've ever encountered the mention of upholstery regarding one of my photos. LOL
 

Media information

Category
Standard Gallery
Added by
artonpaper
Date added
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1,327
Comment count
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Image metadata

Filename
Suzie on the Fainting Couch Pd.jpg
File size
668.8 KB
Date taken
Thu, 30 May 2019 3:12 PM
Dimensions
1101px x 800px

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