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closing the loop
viridari

closing the loop

I'd taken this photo of Chris at a Krispy Kreme years ago when he wasn't expecting it. I was using an Olympus Stylus Epic Zoom 80 which was my "go everywhere" camera for a short time until it developed some pretty disturbing light leaks from the front of the camera.

Yesterday Chris posted a cell phone pic on Facebook to show a Beseler 23C II enlarger he found at a local junk shop, marked "$50" and "WORKING".

I drove over, plugged the thing in, and lo and behold it worked. Not only does it work, but it came with a spare bulb. Huzzah!

I spent a little bit of time trying to remember my photography classes from high school, how we used to print back then (1980's) and it worked remarkably better for me this time around. Probably because my chemicals were fresh.

The "dry" side of my darkroom is sitting the Beseler on the toilet seat. I've got a decent enlarger timer and working grain focuser (also salvaged) and an easel that I bought for $1. All of the paper that I have now is also salvage.

The wet side of my darkroom is the bathtub. I'm only making 5x7 enlargements for now because that's as big as my trays will go.

My wife and kids got a big kick out of coming in with me, huddling around over the bathtub and watching the white paper reveal a finished image. I think one of my kids looks at me like a mad scientist or something.
Location
Krispy Kreme Donut Shop, Raleigh, North Carolina [USA]
Equipment Used
Olympus Stylus Epic Zoom 80, Beseler 23C II with Nikkor 50mm
Exposure
auto
Film & Developer
Tri-X & Rodinal
Paper & Developer
Luminos Flexicon VC, RC, Pearl finish, Dektol
Lens Filter
n/a
Congrats on getting back in the game! Amazing that the ol' box a Luminos is still kickin! No where but up from here!!! Congrats! That Beseler has a lott'a room to grow (35mm to 6x9), such a great rig. I like the image too. Like a vignette from a dream sequence or spy film...
 
I've got a 6x6 film holder on order. Will need to get a longer lens though before I start into my medium format stuff. Perhaps one of the more exciting twists for me is that I'll be able to print the 6x9 negatives that my grandfather took in World War 2 in the Solomon Islands. I've got some ILFORD Multigrade filters on the way, as well. And more Dektol and some fresh ILFORD paper. I'm finding this step to be as invigorating as the jump from d*****l to film the first time I shot a Mamiya C330.
 

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viridari
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