Clarinha again
Edimilson

Clarinha again

This is the first time I've been able (?) to dodge sucessfully. I have a Meopta Magnifax 4 enlarger, which is a condenser enlarger. All my previous attempts at dodging and burning had been disastrous and I was on the brink of giving it up. Then I had the "brillant" idea of using smaller apertures on the enlarger lens (I had always stuck to f/8). Today, using f/16 and having consequently longer exposure times, the thing finally seems to have worked. I'd like to know your opinion, guys. Does it show? Of course opinions regarding any other aspect of the image are welcome. Thanks!
Location
Rio de Janeiro
Equipment Used
Bessa R3A, 90mm Lanthar, Vivitar 285HV (bounced) flash
Exposure
f/5.6, 1/125s
Paper & Developer
Kentmere Fine Lustre, Dektol
Lens Filter
None
I see no obvious signs of burning; so you have been successful, methinks. Good going.
 
It appears to me you dodged her face, but that's a guess. There's nothing giving it away, so I think you did a good job.
What a gorgeous, heartwarming smile that is. Makes me feel good watching it. Nice portrait!
 
Thanks, guys!
I'll let you in on two little secrets. Well, the first isn't really a secret, since Thomas guessed right: it was indeed her face I needed to dodge (along with the left arm). The other secret is that, although her smile really is pretty, the whole truth is she wouldn't let her front teeth show because she's just lost three of them and was ashamed of it!
 

Media information

Category
Critique Gallery
Added by
Edimilson
Date added
View count
319
Comment count
3
Rating
0.00 star(s) 0 ratings

Image metadata

Filename
clarinha_2.jpg
File size
95.7 KB
Dimensions
445px x 623px

Share this media

Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links.
To read our full affiliate disclosure statement please click Here.

PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY:



Ilford ADOX Freestyle Photographic Stearman Press Weldon Color Lab Blue Moon Camera & Machine
Top Bottom