For your consideration is this image of an alley in Ferndale. In shooting it I did a few things that I think work well (I've shot this alley 20 or 30 times) and wonder what others thought. It is crossprossed so the colours are strong and off and the original is printed large as the brick work needs to be seen for the picture to 'work' in my mind. I think there is enough here to form an opinion and I'd love to hear what yours is.
bkg means background (in my world of html naming conventions)and the image is a component of a test here: http://www.jdcallow.com/test3.html I posted this here in the critique gallery without explanaion to see if I'd get any critiques. Which is foolish. I'll add an explanation
After shooting this alley with the perfect snow and decaying, often repaired wall and delapidated trailer, I thought some focal plane swing and foward tilt would make the scene and especialy the wall to appear even more instable. The snow distroyed the clean horizontal of the pavement which added to the effect. Why and or what does it mean? Not entirely sure. I may be on drugs and or spend too much time thinking about these thingd
For my peace of mind I would like to have had the camera swung another degree or two to the right to give the trailer a little more breathing room with the edge of the frame.
But then this photo is not about my peace of mind. Instead, tension leaps from the point of almost-contact of the trailer's edge and the frame of the photo. This tension is bounced off and strengthen by the weird wall and its bricked up windows...all telling me that I'd rather not know what is off to the right and out of sight.
Makes me think of a jigsaw puzzle I was given as kid. It was a picture of a snocat, presumably in the Antarctic somewhere. The illustration was that sort of American late fifties early sixties colourful style (like modern Coke Xmas ads try to recapture). Anyway this reminds me of that style. I'm rambling.
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