This was a process done by me several times in the late eighties. It's a technique to rescue thin colour negatives. Or to develop a colour print in front of an audience in daylight.
Basically you expose the paper with less exposure, develop, then fix in B&W fixer. Turn the lights on and then wash, bleach the print, wash, re-develop in colour developer. You can stop here, or do the process again and again until the you have developed all colour couplers that weren't developed the first or subsequent times.
Basically, you get a more colour saturated and contrastier print.
This actual print was hand processed in a tray on a table, in front of a rather amazed camera club meeting about 17/18 years ago, Hence the crude demarcation line.