These pictures are the result of a kind of "madmen's" project: shooting pinhole at night-time. After some good tips of Eddie Gunks and others, I finally settled on TMax 400 with these results. This film has a relatively low reciprocity failure, limiting exposure times to acceptable levels.
I was just about to write on the previous image how eerie the whole series is, then came to this one, and think it sums them all up very nicely. Incredibly dynamic. K