Matt5791 said:I have bought it as a back up for my Hasselblad when shooting weddings etc.
Matt
PamelaHL said:When I was considering a Yashicamat 124 [which I purchased and really like excepting the poor visibility in the WLF in bright light outside]
5) Yashica was never popular for sending cameras to the moon.Ed_Davor said:And what ARE its limitations Paul?
jimgalli said:At work I have an old Hassy 503 motor in a case with it's 3 lenses. I threw it on the junkpile the other day because the film backs fit so loosely it can no longer be trusted. It let me down once too often. I'd always considered it in the same class of mechanical things as a Mercedes 220 with a column shift 4 speed. It may have gone to the moon and back before I got it though since it does belong to a function of the US Govt.
I will admit that I enjoy the sound the hassy motor makes. It's revolution sounds rather like a starter motor on a '53 Chevy.
paulownian said:It appears that I have fallen into a snake pit of Yashica-loving, Hasselblad-bashing, non-wedding-shooting-for-a-loving, argumentative "photographers". I said that the 124G was a nice little camera, but if any of you think that it can handle the daily rigors of commercial photographic life, then you are in a fantasy world where you believe yourselves to be photographers who are watching real photographers through the looking glass. Jump out of the rabbit hole and take a few hundred actuations, or perhaps a few thousand, per week (day?), and see who the clear winner is. It's the same difference as between a Lincoln LS and a crappy Japanese import. The import may look good to a rave crowd at a street race. But, if your family, your house, your college loan payments, your car payment, your daughter's dental health all depend on what you bring home from photography, then you don't shoot weddings with a 124G! Get real; get a real photography job; and a real camera!
paulownian said:It appears that I have fallen into a snake pit of Yashica-loving, Hasselblad-bashing, non-wedding-shooting-for-a-loving, argumentative "photographers". I said that the 124G was a nice little camera, but if any of you think that it can handle the daily rigors of commercial photographic life, then you are in a fantasy world where you believe yourselves to be photographers who are watching real photographers through the looking glass. Jump out of the rabbit hole and take a few hundred actuations, or perhaps a few thousand, per week (day?), and see who the clear winner is. It's the same difference as between a Lincoln LS and a crappy Japanese import. The import may look good to a rave crowd at a street race. But, if your family, your house, your college loan payments, your car payment, your daughter's dental health all depend on what you bring home from photography, then you don't shoot weddings with a 124G! Get real; get a real photography job; and a real camera!
paulownian said:Get real; get a real photography job; and a real camera!
paulownian said:It appears that I have fallen into a snake pit of Yashica-loving, Hasselblad-bashing, non-wedding-shooting-for-a-loving, argumentative "photographers". I said that the 124G was a nice little camera, but if any of you think that it can handle the daily rigors of commercial photographic life, then you are in a fantasy world where you believe yourselves to be photographers who are watching real photographers through the looking glass. Jump out of the rabbit hole and take a few hundred actuations, or perhaps a few thousand, per week (day?), and see who the clear winner is. It's the same difference as between a Lincoln LS and a crappy Japanese import. The import may look good to a rave crowd at a street race. But, if your family, your house, your college loan payments, your car payment, your daughter's dental health all depend on what you bring home from photography, then you don't shoot weddings with a 124G! Get real; get a real photography job; and a real camera!
paulownian said:I have a great job, son. I also have many, many years, in military and government service, I've lived and traveled the entire world, I have 3 college degrees, I've worked in photography since I was a teenager in the mid-'60's, and I have a business contracting wedding, portrait, and commercial work to other studios and businesses.
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