May I ask where you got it? Is it available over the counter here in the States yet?
I sent an email to Fujifilm USA asking when it would be available. The gal wrote back sometime in June or early Summer, and asked if I'd like some sample rolls. She sent me 5 rolls. I've shot two rolls. If you'd like I'd be happy to send you a roll, or you could ask Fuji for a pre-release sample.
Who did you write? I wrote Fuji USA and got a non-answer (.... Fuji 50 was discontinued, <blah><blah><blah>, but will be available sometime in the summer).
I think the same person responded to me...
Robert,
I paid the extra for express shipping with web site tracking. It looked like most of the time was getting through Canadian customs (USA may be faster?) It was out of Japan and in Vancouver within 3 business days of the order so not sure how it would be to Hawaii. It looks like he has new velvia in 120, 220 and 4x5 but old velvia in 35mm
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Evening all... think I can add something to this discussion.
My friend David Ward has been testing the new emulsion and has posted a comparison and mini-review on 15 June at his blog oceans of instants. There are some well considered musings there too - as those familiar with David's writing and images would expect. He's been making some wonderful pictures this year.
Apart from the slight change in colour, the new one being marginally more neutral, the film is a true ISO50 apparently confirmed by Joe Cornish too.
I now have a box of Quickload which I'll test in the near future. Forgot to put a couple of sheets in the bag for this morning's outing, so have rectified that now...!
Just a quick update on this new Velvia 50. I have now shot a few sheets against 'classic' RVP50 in early morning light. The results are virtually indistinguishable - except that I did use ISO50 for the new and ISO40 for the old. Haven't done any scans yet and really not any point since they are that close on the lightbox.
Early days yet, but much more upbeat than when trying out RVP100. Good news alround. Still have a few hundred sheets of the 'Classic' in the freezer to shoot first.
The base curls less when processing too, not that this affects image or those who lab process, but is an issue when arranging film out of the tank onto my drying holder. In fact it proved the easiest way of determining which was which!!!
I was able to obtain a few (35mm) rolls of this newly-re-released emulsion and here are a few shots (taken with an Olympus OM-10) :
It *seems* to me that this modern, updated emulsion is a tiny bit kinder with skin tones than the previous one. It also seems less intense with the reds, but as with the original, green and blue are quite pronounced.
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