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I have subscribed to Photo Techniques for years - starting back when it was called Darkroom Techniques. In the newest issue, there is an article entitled Condenser Versus Diffused Light by Jean-Christian Rosaggni. The article is interesting, if indecisive - but what I found interesting were the introductory words.
He acknowledges what most of the binary-benders must be thinking as they skimmed past the article with this statement:
"It might seem pointless to worry about this issue when so many have gone digital, but while I believe that digital has considerable merit, I also see that nothing is going to replace the dynamism of silver halide, fiber-based, black-and-white prints anytime soon, if ever. Silver is increasingly the domain of uncompromising artists, and it is consequently worth revisiting the fundamentals, including the quality of the enlarger's light source."
I found his descriptive word "uncompromising" to ring a resonant chord with me. I think this is why there is so much passion surrounding this issue. If digital posed no threat to the array of tools available to me, I would regard it as the logical evolution of APS......
He acknowledges what most of the binary-benders must be thinking as they skimmed past the article with this statement:
"It might seem pointless to worry about this issue when so many have gone digital, but while I believe that digital has considerable merit, I also see that nothing is going to replace the dynamism of silver halide, fiber-based, black-and-white prints anytime soon, if ever. Silver is increasingly the domain of uncompromising artists, and it is consequently worth revisiting the fundamentals, including the quality of the enlarger's light source."
I found his descriptive word "uncompromising" to ring a resonant chord with me. I think this is why there is so much passion surrounding this issue. If digital posed no threat to the array of tools available to me, I would regard it as the logical evolution of APS......
