konakoa
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- Joined
- Sep 23, 2006
- Messages
- 192
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- Large Format
TLDR; will colors last and be stable with a three bath kit? Yes, I've read the sticky thread and I don't have a clear consensus on this.
I’ve fooled off and on with color transparency films for decades. Nearly all professionally processed by labs, as it made the most sense and was convenient. Yet all my work now is large format sheet film, and labs that process those are few and far between. For my favorite 5x7 sheet, labs are even rarer.
The long delays to ship, some question if the films get damaged or lost in transit, and much higher lab fees have me processing at home now. I invested in a really, really nice fully automatic Dev.A machine for its precision and repeatability. It’ll always process the film the exact same way every time, unlike if I were hand processing color E-6 in a sink (done that off and on for years).
I'm committed to processing E-6 myself and chemistry is where I am a bit uncertain now. Color transparency film ain’t cheap. As I write this in 2025 large format films are $8-$20 for a single sheet depending on the size. Ain’t cheap at all. So it stands to reason to process it right and process it well because I’d like for the films to last as long as possible.
And that brings me to the chemistry. I want to use full size six bath kits, as those supposedly give the best results and the films are fully stable afterwards. (And my home processor very nicely will handle all six separate chemicals.) But six bath kits are so doggone hard to find. My only option for such (July 2025) are the Bellini kits, which are actually super nice for their great packaging and the one liter chemistry amounts are ideal. But they’re currently sold out, have been for awhile. More won’t be available for months. On my mind also is how long they’ll continue to be available as well. Kodak’s not interested in offering E-6 chemistry, the Fuji-Hunt kits are long gone.
Then there are the three bath kits. Rarely if ever are there any shortages of those. They’re convent, a little quicker to process with too. But the big, big question I have with these is how long the processed film will last. Ron Mowrey (RIP) was adamant the colors in the film would fade with these kits unless an additional formaldehyde step not included with the chemistry was added in. The film being so dang expensive now, I sure don’t want them to self-destruct on me because of an inadequate processing kit.
So what is the real story with the three bath kits? I’m not too wild about keeping formaldehyde/formalin in my darkroom, nor long term exposure to it. But these three bath kits have been around for as long as I can remember. Everyone seems to use them. Are they flawed? Will the color in my film fade because of the shortcomings of the three bath kits?
I’ve fooled off and on with color transparency films for decades. Nearly all professionally processed by labs, as it made the most sense and was convenient. Yet all my work now is large format sheet film, and labs that process those are few and far between. For my favorite 5x7 sheet, labs are even rarer.
The long delays to ship, some question if the films get damaged or lost in transit, and much higher lab fees have me processing at home now. I invested in a really, really nice fully automatic Dev.A machine for its precision and repeatability. It’ll always process the film the exact same way every time, unlike if I were hand processing color E-6 in a sink (done that off and on for years).
I'm committed to processing E-6 myself and chemistry is where I am a bit uncertain now. Color transparency film ain’t cheap. As I write this in 2025 large format films are $8-$20 for a single sheet depending on the size. Ain’t cheap at all. So it stands to reason to process it right and process it well because I’d like for the films to last as long as possible.
And that brings me to the chemistry. I want to use full size six bath kits, as those supposedly give the best results and the films are fully stable afterwards. (And my home processor very nicely will handle all six separate chemicals.) But six bath kits are so doggone hard to find. My only option for such (July 2025) are the Bellini kits, which are actually super nice for their great packaging and the one liter chemistry amounts are ideal. But they’re currently sold out, have been for awhile. More won’t be available for months. On my mind also is how long they’ll continue to be available as well. Kodak’s not interested in offering E-6 chemistry, the Fuji-Hunt kits are long gone.
Then there are the three bath kits. Rarely if ever are there any shortages of those. They’re convent, a little quicker to process with too. But the big, big question I have with these is how long the processed film will last. Ron Mowrey (RIP) was adamant the colors in the film would fade with these kits unless an additional formaldehyde step not included with the chemistry was added in. The film being so dang expensive now, I sure don’t want them to self-destruct on me because of an inadequate processing kit.
So what is the real story with the three bath kits? I’m not too wild about keeping formaldehyde/formalin in my darkroom, nor long term exposure to it. But these three bath kits have been around for as long as I can remember. Everyone seems to use them. Are they flawed? Will the color in my film fade because of the shortcomings of the three bath kits?
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