Hmmm. There's an interesting juxtaposition, potentially.
First, coat the copper board with photoresist. Then, coat over that with Liquid Light or similar liquid emulsion; expose, develop, fix normally (those chemicals should have little or no effect on the photoresist underneath the gelatin). Now, expose the photoresist to UV (sunlight, for instance) as you normally would (through the liquid emulsion's image). Wash off the liquid emulsion with chlorine bleach, and process the exposed photoresist as usual, then etch the board.
You might need a half-toned image or a very grainy film to get a suitable conveyance of intermediate tones on the copper, but it might well allow making the etched-copper images from a small original negative without making an interpositive/internegative. And on a white or light board base, the copper could be blackened chemically after processing to give a direct positive from the liquid emulsion's positive image, if desired. Heck, this could even permit in-camera, one-of-a-kind images directly on copper board...