MAGNAchrom Launches!

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MAGNAchrom

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The premier issue of MAGNAchrom is now available for free to registered users at Dead Link Removed.

I started MAGNAchrom to offer the medium and large format community a publication that would provide up-to-date, accurate information, was handsomely designed, international in scope, and most of all, featured the photography of dedicated users of medium and large format equipment who had few other international avenues to see their work published. As such, we won't focus on the work of the already famous. Instead, I firmly believe that the best photography being done today is produced by largely unknown people (the vast majority of whom are amateurs) who have been quietly working "under the radar" out of view of already existing publications.

Oh, and MAGNAchrom is advertising-sponsored, so it will always be free to registered users. Yes, yes, we need some information about you — nothing personal mind you (for example, we never want your mailing address or phone numbers or God help me your credit card information). Rather, our advertisers will need to know what countries people are from, what kinds of camera equipment you use, etc. So to the extent that you wish to help MAGNAchrom succeed, then tell us as much as you can so that advertisers can continue to foot the bill.

Why is MAGNAchrom considered a hybrid magazine you ask? Well, first of all, the free version can be downloaded and viewed on your monitor and/or printed to your inkjet printer for reading later. Secondly, at the end of each Volume (currently scheduled for six issues per year) we will print a limited-edition, high-resolution, beautifully bound book of all six issues which will be offered for sale. Thirdly, each issue of MAGNAchrom will undergo constant builds over its lifetime. In this way, MAGNAchrom is a bit like a software application and will constantly evolve. And lastly, there is nothing that would prevent us from (eventually) printing the issues for distribution to newstands — however, we can only reach this last stage with your support.

So how can you best support MAGNAchrom? First by being truthful about the information about yourself. (I'll be suspicious from the get go if I start seeing lots of large-format "photographers" from Mongolia!) The cumulative data will help convince those advertisers who are "on the fence" to advertise with us. The kind of aggregated information they will be interested in will be like: "Total number of UK Medium Format users who downloaded issue #2" — that kind of thing. Eventually, they can tailor their advertising to our audience, whose composition only time will tell. Secondly, you can support MAGNAchrom by telling your friends and colleagues about us — needless to say, especially those friends and collegues who are interested in medium and large format photography! And thirdly, you can assist us by contributing articles, offering to review equipment (both new and collectible), and/or presenting your portfolio for review using the Contribute! page.

Finally, what separates MAGNAchrom is that we will use your feedback to change and improve each issue. Instead of excuses, you will see spelling and/or grammatical errors fixed asap. Further as each issue will undergo many "builds" during its lifetime, we can add additional information to the old articles — for example, mentioning that such-and-such product has been updated to a newer model, or so-and-so recently won a prestigious award or wrote a book (or posthumously, so-and-so is no longer with us). This way, even old issues of MAGNAchrom will be up-to-date. All we need is your feedback.

So you see, in a very real way, this can be your magazine. We want to feature you and your work and your ideas. Keep in touch. You can email me anytime.

__________________
J Michael Sullivan
Editor/Publisher, MAGNAchrom
Dead Link Removed

P.S. While the premiere issue was focused (mostly) on digital, the second issue of MAGNAchrom is dedicated to film/analog processes -- you are gonna love it!
 
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David A. Goldfarb

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I've moved this to "Books, Magazines," etc. The "Announcements" forum is just for APUG system announcements.

If you would like to continue making announcements about this publication, which looks like it should be of significant interest to APUG participants, I'd recommend contacting Sean about becoming a sponsor.

First correction: "cumulative."
 

arigram

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You should have specified that its a digital-only magazine that focuses on MF and LF gear with scanning backs.
I shoot only film with my Hasselblad.
Good luck with the magazine, but I am not interested in digital (that's why I stopped getting the Hasselblad Forum magazine) as I imagine most people in APUG.
 
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MAGNAchrom

MAGNAchrom

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You should have specified that its a digital-only magazine that focuses on MF and LF gear with scanning backs.
I shoot only film with my Hasselblad.

Actually, MAGNAchrom is neither pro-digital nor pro-film (nor is it anti-digital nor anti-film). We will cover both analog and digital equally well. MAGNAchrom is about medium and large format *CAMERAS* (and the photographers who use them) and as such will cover any topic that is appropriate to that audience. It just so happens that the first issue is primarily -- but not exclusively -- about digital medium and large format topics. Sorry, but we had to start with something! :wink:

Anyway, you should be pleased to learn that the second issue is devoted to film. In particular: an amazing large format color negative portfolio from a long-standing APUG member, an in-depth B&W darkroom technique article that I cannot reveal as of yet, and a print shoot out comparing a completely analog print to a completely digital print of the same subject, shot under the same conditions with the same large format camera and lens -- the results will surprise you!

The third issue will feature the stunning B&W film portfolio of Don Kirby and his wife.

And so on. Hopefully, the occasional digital article won't prevent you from enjoying MAGNAchrom. And it is our equal hope that the digital crowd won't be offended by our continued film coverage! :wink:

And importantly: we hope you consider contributing your analog articles and analog portfolios to MAGNAchrom for we believe that the best photography today is being done by relatively unknown photographers who are dedicated to their craft -- and we would like nothing more than promote them (and perhaps you)!
 

Roger Hicks

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Dear Michael,

I kept trying 'back' but found I was stuck in Magnachrom, and had to back out and re-enter APUG. Is this my computer illiteracy or a fault?

Are you sure that a 'free' advertiser supported model is best? I chose a free-plus-subscription model for The Photo School at www.rogerandfrances.com because that way, readers know we have no split loyalties: subscribers are all we care about.

I don't say this to be combative, or only to promote my own site, but it's something I thought about a lot and I'd be interested in your view as a fellow 'publisher'. So, I suspect, would Sean.

Cheers,

Roger
 
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MAGNAchrom

MAGNAchrom

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Are you sure that a 'free' advertiser supported model is best? I chose a free-plus-subscription model for The Photo School at www.rogerandfrances.com because that way, readers know we have no split loyalties: subscribers are all we care about.

I don't say this to be combative, or only to promote my own site, but it's something I thought about a lot and I'd be interested in your view as a fellow 'publisher'. So, I suspect, would Sean.

Thanx for the thought-provoking comment Roger!

When publishing, there are three primary models:
- Subscription supported w/ no advertising (think LensWork)
- Advertising + Subscription supported (think ViewCamera or cable television)
- Advertising only w/ no subscription fee (think broadcast television)

All three have "issues" from a business-model point of view. But in theory, the subscription-only model is supposed to be freer from any outside influence. Of course, that is not always the case. For example, once upon a time cable television was subscription-only yet it slowly evolved into a subscription + advertising model over time (ironically, with more advertising than broadcast!!!).

One thing going for MAGNAchrom -- as it is currently an electronically-delivered publication -- our costs are a small fraction of any print magazine. As such, we don't have the pressures to beg for advertisers. Once we get a critical mass of registered users, the advertisers will beg to advertise with us and we won't have to chase them (the pursuit of which takes you away from your publication).

However, time will tell if our bet was the right one. Clearly, we need to prove ourselves over several issues before we can be taken "seriously" by the cynics. But I am determined to succeed as I have been uninspired by most print photographic publications today.
 

Roger Hicks

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But I am determined to succeed as I have been uninspired by most print photographic publications today.

I'll drink to that (except for the ones my wife and I write for, of course). In fact I'll go and pour a 'bath cap' to drink in the bath before I go to bed (it's evening here in France). Let's stay in touch to see what we can learn from one another...

Cheers,

Roger (www.rogerandfrances.com)
 
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Bromo33333

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Breezed through the issue - what a great magazine! :smile: :smile: :smile:

Brightened my day - and I liked the P&S LF/MF camera you reviewed. I have been very intrigued by them - and especially you listing out the new and use4d competition - this is SUPER handy to fuel GAS attacks. :D

Anyway - good first issue! Kudos! :smile:
 

arigram

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Actually, MAGNAchrom is neither pro-digital nor pro-film (nor is it anti-digital nor anti-film).

Allright, thank you for clearing it up and I appologise if I seemed confrontational but I looked a lot about any reference to the medium (film/digital) the magazine was focused on and didn't see anything. I must say that the multi-page ad by Phase One scared me a bit!
 
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Michel Hardy-Vallée

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... the second issue is devoted to film. In particular: an amazing large format color negative portfolio from a long-standing APUG member

Oho! Will we have the name? Robert? JDC ?
 

donbga

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Thanx for the thought-provoking comment Roger!

When publishing, there are three primary models:
- Subscription supported w/ no advertising (think LensWork)
- Advertising + Subscription supported (think ViewCamera or cable television)
- Advertising only w/ no subscription fee (think broadcast television)

All three have "issues" from a business-model point of view. But in theory, the subscription-only model is supposed to be freer from any outside influence. Of course, that is not always the case. For example, once upon a time cable television was subscription-only yet it slowly evolved into a subscription + advertising model over time (ironically, with more advertising than broadcast!!!).

One thing going for MAGNAchrom -- as it is currently an electronically-delivered publication -- our costs are a small fraction of any print magazine. As such, we don't have the pressures to beg for advertisers. Once we get a critical mass of registered users, the advertisers will beg to advertise with us and we won't have to chase them (the pursuit of which takes you away from your publication).

However, time will tell if our bet was the right one. Clearly, we need to prove ourselves over several issues before we can be taken "seriously" by the cynics. But I am determined to succeed as I have been uninspired by most print photographic publications today.

So how does one read the magazine? I've registered but nothing on the website has changed.
 
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MAGNAchrom

MAGNAchrom

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So how does one read the magazine? I've registered but nothing on the website has changed.

Hey Don,

MAGNAchrom is a downloadable magazine -- it is not a website! Thus, once you have confirmed registration, you need to click "download" in order to copy it to your hard disk.

Quick question: did you get a confirmation email after you registered? If not, can you send us your email address so we can check the database to see what your status is? (you can send pmail to customerservice@magnachrom.com)

Cheers,
 

donbga

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Hey Don,

MAGNAchrom is a downloadable magazine -- it is not a website! Thus, once you have confirmed registration, you need to click "download" in order to copy it to your hard disk.

Quick question: did you get a confirmation email after you registered? If not, can you send us your email address so we can check the database to see what your status is? (you can send pmail to customerservice@magnachrom.com)

Cheers,

No I didn't receive the confirmation e-mail as I expected. Since I didn't I thought that would post my question here.

I'll e-mail my e-mail info to you.

Thanks,
 

Sanjay Sen

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No I didn't receive the confirmation e-mail as I expected. Since I didn't I thought that would post my question here.

Thanks,
Don, did you check your junk mail folder? Because that is where my confirmation email ended up...
 

donbga

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Don, did you check your junk mail folder? Because that is where my confirmation email ended up...
Yes I checked there and my spam folder on my web-mail box. Howver I'm all set now, as I finally got confirmation e-mail.

I must say Magna-chrom is a nice product and I hope LF Journal is paying attention as they now have some real competition.
 

Terence

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Interesting. But how come Speed Graphics make it under large format cameras, but Deardorffs don't? I wouldn't count either as collectibles (not my cameras anyway).
 
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MAGNAchrom

MAGNAchrom

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Interesting. But how come Speed Graphics make it under large format cameras, but Deardorffs don't? I wouldn't count either as collectibles (not my cameras anyway).

Ok, good catch -- I'll add it to the list.

Cheers,
 

Ole

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Interesting. But how come Speed Graphics make it under large format cameras, but Deardorffs don't? I wouldn't count either as collectibles (not my cameras anyway).

I was a bit surprised that my relatively new Gandolfi Traditional came under "other", while the 1928 Speed Graphic is a LF camera...

No, I didn't expect a tick-box for Carbon Infinity. :smile:
 

kb244

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The website appears to be down for me. I cannot ping it either.
 

André E.C.

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Your "subscribe" doesn`t work, too bad, I would like to have a look.

I just can`t access to the second page, when I click "Next" from the first page, loads the second one but kicks me back to the previous when loading is complete.

Not the right treatment for a potential client, man :D !

Cheers

André
 

Ole

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It's up now - and the Gandolfi Traditional is an option in the selection list. :smile:
 

kb244

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It's up now - and the Gandolfi Traditional is an option in the selection list. :smile:

On the medium format, you could sum up Mamiya C330 or C220 , with "Mamiya C3*/C2* Series", as I got a C3 and was unable to check the box because technically I dont have a C330.

And you dont have a Generic "Graflex" for the large format choices, just "Speed Graphic", when I have a Crown Graphic.

Guess you cant think of them all, tho generalizing may help if you are looking for camera demographics, than to have 75% "Other" to which you don't know what they are.
 

Black Dog

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LOL!...........must have a butcher's some time:smile:
 
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