Me too.
My concerns is shipping weight as I plan on teaching neg making with a unit that is dialed into my workflow, You are right for main uses I would go with the larger unit.It's a bit more expensive at the outset, but the price per ml of ink is quite a bit cheaper for the P800. What you save on ink will pay for the difference in price over time. And of course you can print larger.
Looks like the world may have changed my mind. Suddenly a working epson pro 3880 appeared for $100. Anyone have experience with that printer?
Cone Inks has developed a special decoder board that allows use of his color and Piezography inks for the P800.pretty sure the p800 series can't use 3rd party inks, so that rules out piezography and jon cone stuff, not sure if that matters for digital negs or not.
that's my only printer I prepare all exhibitor prints and for-sale prints with it.It's perfect for B&W high-quality prints but not so much for digital negatives; still use imagesetters for that.Looks like the world may have changed my mind. Suddenly a working epson pro 3880 appeared for $100. Anyone have experience with that printer?
I han't been Coned yetCone sells a board developed by someone else (Ink Owl? or some other chinese place is making the boards). But they only allow 30 resets to the ink cartridges. Not a great solution. Epson = dicks
You can't beat the quality of digital negatives from an image setter with any printer.I han't been Coned yet
Sorry have to disagree , the stocastic pattern is highly visable from separation negatives, Unless of course you are talking about LVT recorder or Lambda output onto film.You can't beat the quality of digital negatives from an image setter with any printer.
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