Forte Polywarmtone FB slow?

Dog Opposites

A
Dog Opposites

  • 1
  • 1
  • 92
Acrobatics in the Vondelpark

A
Acrobatics in the Vondelpark

  • 6
  • 4
  • 167
Finn Slough Fishing Net

A
Finn Slough Fishing Net

  • 1
  • 0
  • 100
Dried roses

A
Dried roses

  • 13
  • 7
  • 190
Hot Rod

A
Hot Rod

  • 5
  • 0
  • 113

Recent Classifieds

Forum statistics

Threads
197,465
Messages
2,759,470
Members
99,513
Latest member
gtek-india
Recent bookmarks
0

naaldvoerder

Member
Joined
Apr 4, 2004
Messages
703
Format
35mm
Hello forum,

Recently I have started to print on Forte Polywarmtone FB semi-matt . I really like the semimatt texture and tone of this paper and i can do Lith on it too. The drawback is that it takes ages to take tone. I arrive at times over 2 minutes at 5.6 for 30x40cm print. Does anyone of you have the same experiance with this paper?
 

ann

Subscriber
Joined
Sep 10, 2002
Messages
3,337
Format
35mm
It has a paper speed of 160 (if remembering correctly) and so it is about 3 stops slower. Check the spec sheet that came with the paper. FOrte recommends exposing changes ; as it has been some time since i have used that paper i am not a 100% sure if the additional time is 2.5 stops or 3. 2 minutes does seem a long time. What is the blub strength? I am assuming you are talking about exposure times for the print. My times are something like 40 secs for a 16 X 20 print at f 11, consender head.

Toning time is going to depend on which toner and what diltuion ratio.
With selenium 1:5 I am toning 5 minutes for completion.
 

Donald Miller

Member
Joined
Dec 21, 2002
Messages
6,233
Format
Large Format
A great deal of the exposure time that you are experiencing could very well be due to negative density. I am not sure if the JandC Polywarmtone paper emulsion is similar to the Forte that you mention...however I have experienced times of 4 minutes with a 200 watt bulb on my Durst 138S enlarger. In defense of the paper, the negative density was excessive, in my case.
 

ann

Subscriber
Joined
Sep 10, 2002
Messages
3,337
Format
35mm
Good point Donald, the negatives i have been printing are in the "normal contrast" range.
 
OP
OP
naaldvoerder

naaldvoerder

Member
Joined
Apr 4, 2004
Messages
703
Format
35mm
Ann

I'm using a 100 Watt halogeen light in a diffusor (colorhead) setup. Are there stronger halogene lights?
 

ann

Subscriber
Joined
Sep 10, 2002
Messages
3,337
Format
35mm
you might want to check the specs for your enlarger. There are a wide variety of blubs available, however; they must match the specification of your enlarger.

Am sure there is someone with more knowledge about electricity than I, but 100 watts for a color head seems small.

A higher wattage would have a big impact on your exposure times.
 

Donald Miller

Member
Joined
Dec 21, 2002
Messages
6,233
Format
Large Format
The bulb in my 4550VCCEXLG is 250 watt halogen. However it is not as simple as simply installing a larger light bulb. The things to be considered in going to a larger bulb are:

1. Cooling...increased wattage equates to more heat. Increased heat leads to fire considerations if proper cooling is not supplied.

2. Power supply if your enlarger utilizes one. Most halogens used in enlargers are lower voltage lamps and consequently power supplies are responsible for supplying the proper voltage and they are sized according to wattage/amperage requirements.

I agree with Ann's comment that a 100 watt lamp seems small.
 

skahde

Member
Joined
Feb 16, 2004
Messages
492
Location
Germany
Format
Multi Format
naaldvoerder said:
Ann

I'm using a 100 Watt halogeen light in a diffusor (colorhead) setup. Are there stronger halogene lights?

Before you start to install halogen-lamps that may be to strong for the the lamphouse as well as the power-supply: what times do you have with other papers at what magnification? Is the mixing box made for the format you are enlarging? Is the lamp the right one for your head or did someone install "just something" that fits?

BTW: PW is a suprisingly slow paper but IMHO worth the wait.
best

Stefan
 

roy

Member
Joined
Sep 7, 2002
Messages
1,324
Location
West Sussex
Format
Medium Format
ann said:
Toning time is going to depend on which toner and what diltuion

I like this paper and find that just about averything it does is slow but we expect that because we know its speed. One reason that I do like it is because when using it for lith printing the paper, for my taste, often does not need toning due to the colours that emerge without further processing.
 
OP
OP
naaldvoerder

naaldvoerder

Member
Joined
Apr 4, 2004
Messages
703
Format
35mm
Stefan,

The mixingbox is for 6x6. I have the 35mm also but i did not bother to change it. Never felt the need with other papers. I'll try and see if that brings in more light.
 

noseoil

Member
Joined
Oct 6, 2003
Messages
2,893
Location
Tucson
Format
Multi Format
Which enlarger are you using? I wouldn't start swapping bulbs without a lot of research. As Donald said, the bulb is matched to the housing and power supply, so any changes may be a problem. The Omega 4x5 enlarger I use for all of my enlarging comes with a 260 watt bulb. It is possible that 100 watts is correct for a MF enlarger and a higher bulb rating would be needed for an enlarger of greater capacity.

The question of negative density is also a good one. Are you exposing with a lot of highlight detail in this long exposure print, or is it a "normal" shot?
 

ann

Subscriber
Joined
Sep 10, 2002
Messages
3,337
Format
35mm
The mixing chamber will absolutely effect times. You need to change to the correct one.

And as we have all said, check the specs for your specific enlarger to find out what light source would be correct other wise you will create additional issues.
 

ann

Subscriber
Joined
Sep 10, 2002
Messages
3,337
Format
35mm
Snapper;
I believe the instruction indiacte a 2.5 exposure factor.
 

Doug Bennett

Member
Joined
Jun 25, 2003
Messages
230
Location
Huntsville,
I've used Polywarmtone, and compared to Ilford FB, it is quite a bit slower. My notes indicate that I was consistently using a 1 stop smaller aperture plus a slightly longer exposure time.

Nice stuff, though, and really heavy paper stock is always sexy.[/i]
 
Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links.
To read our full affiliate disclosure statement please click Here.

PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY:



Ilford ADOX Freestyle Photographic Stearman Press Weldon Color Lab Blue Moon Camera & Machine
Top Bottom