Tmax 100 is one of the more difficult films to master, looking at the Kodak Data Sheet Tmax builds contrast fast, relative short characteristic curve. The high contrast scene of the tree and foliage the high lights on the tree back seems blown out to me, while the interior shot with woman in kitchen a lower contrast scene looks to me pretty good. The old saying expose for the shadows develop for the highlight. Without going in on full blown zone, set up a scene for a ring around shoot. Use your wife a a model, include black and white fabric with texture, an 18% gray card, a zone scale if you find one large enough to see in the frame. Shoot in open shade, start with ISO 25, meter with average meter, shoot, the cover the lens and shoot an empty frame, shoot 50, repeat with empty frame until you end at 400, shoot the remainder of the roll bracketing each shot. Develop with your standard developer using Kodak recommended times adjusted for your processor. Then do a proof sheet, at this point look for shadow detail, the texture in the black fabric. Pick the best ISO as work working ISO, then look a the highlights, if blow out, decrease development, if too thin increase development time, I would increase or decrease by 20% to start. Your developing times are really short, it might hard to decrease time to tame the highlights. In the end you want a negative with an average zone III shadow details, zone VII textured highlights. Unlike sheet film where each sheet can be developed to match visualized or preferred highlight, rolls film, a good average and fix in the darkroom or in post, meaning fix the highlight by changing paper grades or split printing and burning in.
