Most film shooters have 50/1.8s and probably wouldn't bother. It was optimized for digital stills and video on APS-C sensors--not 35mm film cameras. Can you sample one in Montreal?
As far as testing it on film, give yourself a break. It's 2012, and regular Joe Six-Pak doesn't shoot film anymore. IMO it wouldn't really make sense to test lenses out on 35mm anyway when you've got 22 and 36MP FF DSLR's that will give you far more consistent lab results than scanning slides or negs. From what I experienced with the 40mm the other day, shooting wide open, you'll have some pretty muddy corners if you're shooting color neg. The vignetting is pretty insane. I dunno...If you want the size advantage, than you've already justified it. Otherwise a 50mm f/1.8 (or two) is a smarter option.
The sensel/microlens units in digital sensors interact with the projected image in sometimes unpredictable ways. Corner performance is often worse and vignetting often more prominent on digital sensors. We will know how the lens behaves with film when someone tries it... with film.
Just a wild guess but would Canon develop a lens that vignettes on its DSLRs--whether APS-C or FF? Just asking.
Yes, they would and they do, as do the other manufacturers. Especially with lenses at wide to normal focal lengths it can't be helped, not without making the lenses much bigger, heavier, more complex and more expensive than the market will bear.
Exactly. If you want the size advantage, than you've already justified it. Otherwise a 50mm f/1.8 (or two) is a smarter option.
As far as testing it on film, give yourself a break. It's 2012, and regular Joe Six-Pak doesn't shoot film anymore. IMO it wouldn't really make sense to test lenses out on 35mm anyway when you've got 22 and 36MP FF DSLR's that will give you far more consistent lab results than scanning slides or negs. From what I experienced with the 40mm the other day, shooting wide open, you'll have some pretty muddy corners if you're shooting color neg. The vignetting is pretty insane. I dunno...If you want the size advantage, than you've already justified it. Otherwise a 50mm f/1.8 (or two) is a smarter option.
Also, why not go with the voightlander 40mm f/2?
Just a wild guess but would Canon develop a lens that vignettes on its DSLRs--whether APS-C or FF? Just asking.
Many Nikon DX lenses vignette badly on film bodies because they were made to cover APS-C sensors--not film.
The sensel/microlens units in digital sensors interact with the projected image in sometimes unpredictable ways. Corner performance is often worse and vignetting often more prominent on digital sensors. We will know how the lens behaves with film when someone tries it... with film.
I'm wondering if some of you already got the new Canon EF 40mm pancake. Any feedback? How does the STM work on film EOS cameras? I made a search in APUG posts and did not find any posting regarding this new lens.
Thanks,
Hovig
Also, why not go with the voightlander 40mm f/2?
Hi all,
I'm wondering if some of you already got the new Canon EF 40mm pancake. Any feedback? How does the STM work on film EOS cameras? I made a search in APUG posts and did not find any posting regarding this new lens.
Thanks,
Hovig
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