Thanks for the great feedback Paul...
I am that much more looking forward to my visit to Portland (and Bangor) now.... sounds like a great Weston show. Last time I saw a good grouping of work from EW's own hand (as opposed to Cole's prints), was in Boston several years ago. (Cole's prints of his father's are fine, of course, and were a "mere" $400 back in the 80's at a Camden Maine show! Should've bought one!!!).
Looking forward as well to a good pint at Gritty McDuff's along with a massive feed of lobster somewhere.... A tour of Portland is also in order as is a drive up the coast thru Rockport on my way to Bangor. Just too quaint and loveable to pass up.
Never been to Bangor - home to a greatly underrated photographer, the now deceased Todd Webb - but can't wait to see Tice's show. I actually bought the show's accompanying book just this weekend in Montreal at the Canadian Centre for Architecture - surely, the world's foremost centre for architecture and who's founder, Phylis Lambert (heir to the Seagram's empire) has the most fantastic architectural photography collection anywhere - is a terrific museum worth a special visit to Montreal....
I digress... the book, wrongly titled, IMHO, "Urban Landscape" is about and only about New Jersey. Which is why it totally escapes me why "New Jersey" has somehow been omitted for this great book's title. I find Tice's vision of his environment (he's a 10th generation New Jersyan) quite simply brilliant. I refer here to his man-made environment, buildings, interiors, as opposed to his natural environment, ponds, trees, which, frankly, I could never warm up to. His street scenes I find magnificient. They are images I, for whatever reasons, can completely relate to although I've never set foot in any of those cities. They are photographs I wish I'd taken I suppose...
As for print quality, Tice vs Weston (or vs Michael/Paula) does not really matter now does it? All are excellent - but different. Tice's prints, to me, just match his subject matter perfectly and I don't know that the work would/could fare better on prints with deeper blacks and/or whiter whites. Last time I saw Tice's prints "in the flesh" was in the great "Banks" show of 10+ years ago which, incidentally, was comissioned by the CCA. The work was great. I can't wait to see Tice's "new" prints for this show (which are all from 8x10 film but enlarged as opposed to contact-printed like EW ---- makes one wonder how much cropping there was though!).
The book, I would highly recommend for the great printing job and for the highly appropriate and "bang on" introduction. An enlightening presentation of Tice's work, by himself, explains his approach.
Anyhow, that's it for me.... and thanks again for he feedback Paul.
Regards
Daniel