eumenius
Member
Hello friends,
after a big delay I conducted a nice experiment that can be useful for someone. Well, I don't pretend to discover something new, but the "portrait" light cyan-bluish filters really give to you the "ortochromatic" famous look of the skin tones! More, the blue light from the flash does about the same, but in a more harsh a way. I did the comparison of the portaits shot on FP4+ (dev. in Microphen 1+3) with filter on camera, without a filter, and with blue, green and red filters over my Metz 45CT-3 with umbrella, and the portraits on Maco Ortho film. The thing is that I like the effect of blue filtration on camera lens and flash even more than the real ortho film
Of course, I printed all my prints from all films to the same maximum black to make them comparable. Does anyone use coloured flash light when shooting portraits, or I'm on a threshold of something new? 
Cheers from Moscow,
Zhenya
after a big delay I conducted a nice experiment that can be useful for someone. Well, I don't pretend to discover something new, but the "portrait" light cyan-bluish filters really give to you the "ortochromatic" famous look of the skin tones! More, the blue light from the flash does about the same, but in a more harsh a way. I did the comparison of the portaits shot on FP4+ (dev. in Microphen 1+3) with filter on camera, without a filter, and with blue, green and red filters over my Metz 45CT-3 with umbrella, and the portraits on Maco Ortho film. The thing is that I like the effect of blue filtration on camera lens and flash even more than the real ortho film


Cheers from Moscow,
Zhenya