purple
Member
Hello folks,
I hate for my first post to be a rather unhappy one, but I'm suffering here. I promise more jolly things in the future.
I've been developing my own film for a while now, and recently started doing my own printing. I acquired a Dunco II-66 VC and an entire darkroom set-up from a gentleman who had recently convered to digital (his loss). I love my darkroom to pieces, *but* I'm experiencing serious skin sensitivity problems.
To give background on this, I always use gloves and tongs, and never put my hands directly into the solution. To stop myself touching my face (I sweat quite a lot), I wear a bandana to hold the salty liquer out of the way.
But, after any amount of time in my make-shift darkroom (converted study), the following morning my skin explodes in (for want of a better word) splodges. Large red sore patches, that over the next 24 hours turn into a scale like composition before flaking.
These splodges appear to affect whatever skin is exposed at the time. Until recently I usually wore a short-sleeved t-shirt, and the damage would always be on my forearms and face. Since I started wearing long-sleeved shirts in the darkroom, the blotches only appear on my face now. This leads me to think I am reacting to one of the gases being produced.
These blotches last for three days, and are highly irritating and painful. It is diffucult to concerntrate on work due to the irritation.
The first suggestion put to me was Metol poisoning. I switched out my old stock Paterson Universal for Agfa Neutrol, and for good measure switched by Fixer to Ilford Rapid Fix and my Stop Batch to Ilford Ilfostop (which I believe is citric acid rather than acetic acid). I use a litre of chemicals in quite large trays (12x16?) and use the following procedure:
Expose
90 seconds Neutrol (1+11)
60 seconds Stop Bath
30 seconds Fixer.
Prints are moved by tongs only. After the fix, the print is moved directly to a holding tank, and then regularly transferred into the bathroom for washing.
The next suggestion was that ventilation was an issue. Ventilation is not fantastic, the room is air-tight until I open the door. The past few sessions, I have been religiously trying to force the air through by opening door and window, and encouraging a draft somewhere in the region of every ten to fifteen minutes. I usually work in the darkroom for a maximum of two hours per session (at most a session per day). I am still experiencing the same symptoms.
I really am suffering here, and may have to give up printing if this continues. I'm sorely tempted to invest in a Nova Monochrome Print Processing Tank - is this going to help (minimum chemical exposure to the atmosphere), or am I missing something more fundamental here?
If anyone can suggest alternative chemicals, or even spot which chemical may be causing the problems, I would be eternally grateful.
I hate for my first post to be a rather unhappy one, but I'm suffering here. I promise more jolly things in the future.
I've been developing my own film for a while now, and recently started doing my own printing. I acquired a Dunco II-66 VC and an entire darkroom set-up from a gentleman who had recently convered to digital (his loss). I love my darkroom to pieces, *but* I'm experiencing serious skin sensitivity problems.
To give background on this, I always use gloves and tongs, and never put my hands directly into the solution. To stop myself touching my face (I sweat quite a lot), I wear a bandana to hold the salty liquer out of the way.
But, after any amount of time in my make-shift darkroom (converted study), the following morning my skin explodes in (for want of a better word) splodges. Large red sore patches, that over the next 24 hours turn into a scale like composition before flaking.
These splodges appear to affect whatever skin is exposed at the time. Until recently I usually wore a short-sleeved t-shirt, and the damage would always be on my forearms and face. Since I started wearing long-sleeved shirts in the darkroom, the blotches only appear on my face now. This leads me to think I am reacting to one of the gases being produced.
These blotches last for three days, and are highly irritating and painful. It is diffucult to concerntrate on work due to the irritation.
The first suggestion put to me was Metol poisoning. I switched out my old stock Paterson Universal for Agfa Neutrol, and for good measure switched by Fixer to Ilford Rapid Fix and my Stop Batch to Ilford Ilfostop (which I believe is citric acid rather than acetic acid). I use a litre of chemicals in quite large trays (12x16?) and use the following procedure:
Expose
90 seconds Neutrol (1+11)
60 seconds Stop Bath
30 seconds Fixer.
Prints are moved by tongs only. After the fix, the print is moved directly to a holding tank, and then regularly transferred into the bathroom for washing.
The next suggestion was that ventilation was an issue. Ventilation is not fantastic, the room is air-tight until I open the door. The past few sessions, I have been religiously trying to force the air through by opening door and window, and encouraging a draft somewhere in the region of every ten to fifteen minutes. I usually work in the darkroom for a maximum of two hours per session (at most a session per day). I am still experiencing the same symptoms.
I really am suffering here, and may have to give up printing if this continues. I'm sorely tempted to invest in a Nova Monochrome Print Processing Tank - is this going to help (minimum chemical exposure to the atmosphere), or am I missing something more fundamental here?
If anyone can suggest alternative chemicals, or even spot which chemical may be causing the problems, I would be eternally grateful.